The relationship between fascism and literature in the twentieth century is one of the most complex and troubling intersections of politics, culture and art in modern history. From the rise of Mussolini's Italy to the Third Reich's cultural policies, fascist movements have both co-opted and invoked literary expression for propagandistic purposes and powerful resistance through the written word. This paper seeks to examine how fascist ideology shaped literary production, how writers responded to authoritarian rule, and the lasting impact of this relationship on our understanding of literature and its political dimensions. The central argument of this paper is that while fascist regimes attempted to instrumentalize literature as a tool of ideological control, the inherent nature of literary expression ultimately ended up resisting the complete subjugation, producing both complicit propaganda and subversive resistance that continues to inform contemporary discussions about art, politics, and moral responsibility.