This paper investigates the interrelated themes of migration, memory, and linguistic hybridity in Amitav Ghosh’s fiction. By conducting an in‐depth stylistic analysis of texts such as The Sea of Poppies, The Glass Palace, and The Hungry Tide, the study reveals that Ghosh’s narrative techniques-including non‐linear storytelling, code‐switching, symbolic imagery, and intertextual allusions-are central to the construction of a hybrid migrant identity. The analysis examines how personal recollections merge with collective historical memories and how these processes are articulated linguistically. Several tables are provided to support the classification and synthesis of key stylistic devices. The paper argues that Ghosh’s work not only encapsulates the lived realities of diasporic experiences but also challenges fixed notions of cultural identity.